Category: thinking about the sculptural
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Happy New Year! Yes, January is already almost over, but I am finally feeling like I have emerged from the endless crush of projects that seem to pile up at the end of the semester/year and the haze that is the holiday season. In reflecting back on the last month, however, I could not help but…
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Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred…
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“This housewife is a ‘FORMICA’ kitchen enthusiast – but aren’t we all? Won’t you feel life is good when you own a kitchen where all the surfaces are jewel-bright-clean-at-a-wipe ‘FORMICA’ Laminated Plastic?” – Formica Advertisement, 1953, published in Ideal Home Jean Baudrillard wrote that modern materials like concrete or nylon are no less true, authentic, or real…
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I think I may be having a bit of a Richard Artschwager revelation. For all of my interest in sculpture, especially postwar sculpture, I have to admit that I have never given his work a lot of attention. The timing of this personal Artschwager-awakening, while caused by an seemingly odd confluence of encounters, is not…
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The other day, while mapping out an upcoming museum visit for the class I am teaching this summer, I found myself wandering through the design and architecture galleries at the Art Institute of Chicago. I have been thinking a lot lately about the often tenuous line that separates a designed object and a sculptural thing.…