Author: Marin R. Sullivan
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If the art world had a “song-of-summer” equivalent, the title would definitely go to James Turrell for 2013. Giving even the Venice Biennale and Art Basel a run for their money (pun intended), his three concurrent retrospective exhibitions at the Los Angeles County Museum of Art, the Guggenheim in New York, and the Museum of…
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A “Richard Serra” has come to designate a very particular type of sculptural thing – almost always a hulking, mass of Cor-Ten steel plates of various curvature, carefully and complexly engineered, installed, and viewed. This is sculpture that can (and has) kill a person and depending on your disposition and/or feelings about Serra, can read…
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I admit that before walking into the Longside Gallery at the Yorkshire Sculpture Park last week I was woefully or rather shamefully unaware of Garth Evans’ work. The Arts Council Collection exhibition, Garth Evans, which closed this past week, rectified such ignorance. The first major show of Evans’ work in the UK in over twenty years,…
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“Things that gather cannot be thrown at you like objects.” -Bruno Latour, 2004¹ I published my last post on boxes from the Nottingham Contemporary café. Beyond being a rather banal statement on what still strikes me as the remarkable portability of today’s technological age, I wanted to begin this post with that admission because moments…
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On a recent visit to Robert Filiou: The Institute of Endless Possibilities at the Henry Moore Institute, I stood for a long time in front of an odd little object, or rather an odd little collection of objects. At its center was a plank of blonde wood set on hooks as though a module in a much…