New Publication: Postwar Italian Art History Today

I am very happy to announce the publication of Postwar Italian Art History Today: Untying ‘the Knot’ from Bloomsbury, which I co-edited with Dr. Sharon Hecker. The edited volume is the result of a two day-conference held at the Center for Italian Modern Art in 2015. Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the … Continue reading New Publication: Postwar Italian Art History Today

Talking about Bertoia at the Smithsonian

I just finished up a wonderful three months in residence as a Tyson Scholar at the Crystal Bridges Museum of American Art in Bentonville, AR, but I will be returning to D.C. this week to attend and participate in the 2018 Fellows Lectures at the Smithsonian American Art Museum. I will present a paper entitled “The Limits of Integration: Harry Bertoia’s Dallas Public Library Commission,” … Continue reading Talking about Bertoia at the Smithsonian

A Loss of Permanence: Monumentality in the 21st Century

Presenting a paper recently on the monumental sculptural projects of Alexander Calder, David Smith, and Robert Smithson in Italy, as a part of the Smithsonian American Art Museum’s wonderful symposium The Course of Empires: American-Italian Cultural Relations, 1770-1980, (my presentation and the entire proceedings are viewable here, if you are so inclined), I drew upon two quotes from the mid-twentieth century on the topic of monumentality: … Continue reading A Loss of Permanence: Monumentality in the 21st Century

Public Sculpture is Having a Moment in the Midwest

On August 8, my beloved, complex, imperfect city of Chicago did the civic/art version of an historical battlefield reenactment…sort of. The event marked the fiftieth anniversary of the public unveiling on August 15, 1967 of Picasso’s untitled metal behemoth, now known simply as “The Picasso” (see Google Maps) or in its updated 2017 social media parlance, #EveryonesPicasso. So once again the mayor (Rahm Emanuel filling … Continue reading Public Sculpture is Having a Moment in the Midwest

Image not Object: the 2017 Whitney Biennial

The 2017 Whitney Biennial closes in just over two weeks. Since its opening in March, the exhibition has been widely heralded for its “political charge” (see for example reviews by Peter Schjeldahl in The New Yorker and Jerry Saltz in New York Magazine), for its impressive diversity of artists included (though I wish this still was not so rare as to be newsworthy), and the … Continue reading Image not Object: the 2017 Whitney Biennial