I haven’t posted any new entries over the past couple of weeks on account of a busy travel schedule that took me to from Chicago to Louisville (for a very lovely non-sculpture, though hilariously art history-related wedding), then to Dallas (for a very lovely new exhibition on ceramic sculpture), back to Chicago for night, before departing for a new academic term in Leeds. Over the next few weeks I will be posting on the two current exhibitions at the Henry Moore Institute, The Age to Innocence: Replicating the Ideal Portrait in the New Sculpture Movement and Indifferent Matter: From Object to Sculpture, a piece related to a new research project on the Italian artist Alberto Burri, and the Nasher Sculpture Center’s recently opened Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943-1963; the latter being the reason for my trip to Dallas. So a nice early autumn line-up of sculptural things, but I thought I would do a quick post today about Dallas as a bona-fide destination for art and architecture enthusiasts.
Now in full disclosure, I lived in Dallas for six years. I began my career at the Nasher Sculpture Center and fell in love with sculpture while working there for nearly all of those six years. I interned at the Dallas Museum of Art, and received an MA from Southern Methodist University. So I unavoidably have a bias, but I think as an outsider who never fully acclimated and with the exception of its appearance in the above title, fervently resisted the ubiquitous ‘y’all’ while living there, I am also cognizant of the widespread bias against Dallas, especially by those based in larger, more cosmopolitan cities. None of this, however, should dissuade you though from taking my most sincere advice to put Dallas on your arts radar, especially for this autumn. A lot has changed in Dallas and there is a lot going on. Continue reading “If you like art, y’all really should get yourself to Dallas…”