https://sculpturalthings.com/bio-cv/2025-09-05T16:18:54+00:00weekly0.6https://sculpturalthings.com/speaking/2025-09-05T16:16:04+00:00weekly0.6https://sculpturalthings.com/curating-museum-work/2025-07-10T18:55:41+00:00weekly0.6https://sculpturalthings.com/publications/2025-07-10T18:25:14+00:00weekly0.6https://sculpturalthings.com/contact/2025-01-27T22:44:35+00:00weekly0.6https://sculpturalthings.com/2021/03/16/symposium-cfp-william-edmondson-in-context/2021-08-19T22:07:15+00:00monthlyhttps://sculpturalthings.com/2019/06/17/new-publications/2019-06-17T17:04:27+00:00monthlyhttps://sculpturalthings.com/2019/05/09/harry-bertoia-catalogue-raisonne-project/2019-05-09T18:31:48+00:00monthlyhttps://sculpturalthings.com/2018/10/26/chicago-design/2018-10-26T20:28:01+00:00monthlyhttps://sculpturalthings.com/2018/05/01/talking-about-bertoia-at-the-smithsonian/https://sculpturalthings.com/wp-content/uploads/2018/04/untitled.pngUntitled2018-08-28T18:24:44+00:00monthlyhttps://sculpturalthings.com/2018/08/28/learning-about-edgar-miller/https://sculpturalthings.com/wp-content/uploads/2018/08/img_7700-e1535478964685.jpgIMG_7700Plaster relief by Edgar Miller, Glasner Studio, Chicagohttps://sculpturalthings.com/wp-content/uploads/2018/08/img_7177.jpgIMG_7177https://sculpturalthings.com/wp-content/uploads/2018/08/img_7157.jpgIMG_71572018-08-28T18:14:41+00:00monthlyhttps://sculpturalthings.com/2018/07/13/new-publication-postwar-italian-art-history-today/https://sculpturalthings.com/wp-content/uploads/2018/07/9781501330063.jpg97815013300632018-07-15T19:26:32+00:00monthlyhttps://sculpturalthings.com/2017/10/30/a-loss-of-permanence-monumentality-in-the-21st-century/https://sculpturalthings.com/wp-content/uploads/2017/10/27statue2-master768.jpg27statue2-master768https://sculpturalthings.com/wp-content/uploads/2017/10/270b6829.jpg270B68292017-10-30T19:49:39+00:00monthlyhttps://sculpturalthings.com/2017/08/10/public-sculpture-is-having-a-moment-in-the-middlewest/https://sculpturalthings.com/wp-content/uploads/2017/08/img_30221.jpgIMG_3022https://sculpturalthings.com/wp-content/uploads/2017/08/img_3170.jpgIMG_3170https://sculpturalthings.com/wp-content/uploads/2017/08/img_3175.jpgIMG_3175https://sculpturalthings.com/wp-content/uploads/2017/08/img_3068.jpgIMG_3068Mark di Suvero's The Calling (1982), with Paul Druecke's Shoreline Repast (2017) and Calatrava's Milwaukee Art Museum visible in the background.https://sculpturalthings.com/wp-content/uploads/2017/08/img_3066.jpgIMG_3066https://sculpturalthings.com/wp-content/uploads/2017/08/img_3063.jpgIMG_3063https://sculpturalthings.com/wp-content/uploads/2017/08/img_3061.jpgIMG_3061Signage for Sculpture Milwaukee. Tony Cragg's Mixed Feelings (2010) is visible in the background.https://sculpturalthings.com/wp-content/uploads/2017/08/img_3055.jpgIMG_3055https://sculpturalthings.com/wp-content/uploads/2017/08/img_3053.jpgIMG_3053https://sculpturalthings.com/wp-content/uploads/2017/08/img_3051.jpgIMG_30512017-08-10T22:17:33+00:00monthlyhttps://sculpturalthings.com/2015/08/26/new-year-new-project/https://sculpturalthings.com/wp-content/uploads/2015/08/img_0928.jpgIMG_0928The wall in my office - newly remapped with my current project on American sculpture and architecture in the immediate postwar period.2017-06-16T20:17:13+00:00monthlyhttps://sculpturalthings.com/2017/05/25/image-not-object-the-2017-whitney-biennial/2017-06-16T20:16:04+00:00monthlyhttps://sculpturalthings.com/2016/10/05/forthcoming-sculptural-materiality-in-the-age-of-conceptualism/https://sculpturalthings.com/wp-content/uploads/2016/10/cover-image-proof.jpgcover-image-proof2023-01-04T14:53:48+00:00monthlyhttps://sculpturalthings.com/2017/05/24/bertoia-bertoia-bertoia/https://sculpturalthings.com/wp-content/uploads/2017/05/img_2710.jpgIMG_27102017-05-24T21:18:38+00:00monthlyhttps://sculpturalthings.com/2016/11/13/calder-lecture-at-the-wichita-art-museum/https://sculpturalthings.com/wp-content/uploads/2016/11/event_124723_lg.jpgevent_124723_lgPatrons and supporters of the Wichita State University Ulrich Museum of Art's Salon Circle mingle and socialize September 11, 2014 inside the Bank of America Financial Center in downtown Wichita. The centerpiece of the building's full-height atrium is Alexander Calder's mobile, titled "ElŽments DŽmontables." Photo by Cary Conover2016-11-13T16:57:15+00:00monthlyhttps://sculpturalthings.com/2016/10/15/whyarthistorymatters/https://sculpturalthings.com/wp-content/uploads/2016/10/thumb_img_1194_1024.jpgthumb_img_1194_10242016-10-17T00:15:10+00:00monthlyhttps://sculpturalthings.com/2016/10/05/publication-news-art-history/https://sculpturalthings.com/wp-content/uploads/2016/10/sullivan_-plate-1.jpgModelling Beachwear In The Palace Of LaborSubject: Model at left wearing Scarabocchio beach coat and the model on the right wearing a pique bikini with a long terry robe from Glans of Milan. On the wall is the ceramic exhibit at Turin's Palace of Labor and the ceramic blocks on the wall are designed by Fausto Melloti. Turin, Itlay 1961 Photographer- mark Kauffman Time Inc NOT OWN Merlin-1151756https://sculpturalthings.com/wp-content/uploads/2016/10/cover.gifcover2016-10-05T17:19:10+00:00monthlyhttps://sculpturalthings.com/2016/04/03/publication-announcement/https://sculpturalthings.com/wp-content/uploads/2016/04/kusama-garden.jpgkusama garden2016-04-03T21:02:56+00:00monthlyhttps://sculpturalthings.com/2015/10/02/tates-new-henry-moore-online-project/https://sculpturalthings.com/wp-content/uploads/2015/10/3429_10.jpgbiog_1953_00009431953 Moore with his sculpture in Perry Green Phot: Chris Ware Keystone Press The Henry Moore Foundation Archive 4 x 5" b/w neg2015-10-02T15:13:53+00:00monthlyhttps://sculpturalthings.com/2015/07/09/review-of-fiber-sculpture-for-caareviews-org/https://sculpturalthings.com/wp-content/uploads/2015/07/large.jpglargeFiber: Sculpture 1960–present. Installation view. Image courtesy Institute of Contemporary Art, Boston.2015-07-09T16:28:16+00:00monthlyhttps://sculpturalthings.com/2013/04/15/sculpture-and-photography-aah-2013/https://sculpturalthings.com/wp-content/uploads/2013/04/wolfgang-tillmans-lighter-26-20071.jpgwolfgang-tillmans-lighter-26-2007Wolfgang Tillmans, Lighter, 2007https://sculpturalthings.com/wp-content/uploads/2013/04/steichen-rodin.jpgsteichen rodinEdward Steichen, Rodin—The Thinker, 1902, Gum bichromate print 15 9/16 x 19 in., Gilman Collection, Metropolitan Museum of Art, New York2015-06-16T22:14:08+00:00monthlyhttps://sculpturalthings.com/2015/01/27/middlebury-college-lecture-february-25th/2015-01-28T03:33:17+00:00monthlyhttps://sculpturalthings.com/2015/01/06/untying-the-knot-the-state-of-postwar-italian-art-history-today/https://sculpturalthings.com/wp-content/uploads/2015/01/cima-fontana-image_-002.jpegCIMA.FONTANA.image_.0022015-01-06T20:02:44+00:00monthlyhttps://sculpturalthings.com/2015/01/06/changes-to-sculptural-things/2015-01-06T19:52:23+00:00monthlyhttps://sculpturalthings.com/2014/05/06/saturated-and-satiated-isa-genzken-at-the-mca-chicago/https://sculpturalthings.com/wp-content/uploads/2014/05/img_2048.jpgIMG_2048Isa Genzken, Kleiner Pavillion (Small Pavilion), 1989 (Detail).https://sculpturalthings.com/wp-content/uploads/2014/05/img_2047.jpgIMG_2047Isa Genzken: Retrospective, Entrance to the exhibition at the MCAhttps://sculpturalthings.com/wp-content/uploads/2014/05/screen-shot-2014-05-05-at-8-51-25-pm.pngEntry to Isa Genzken: Retrospective at the Museum of Contemporary Art, Chicagohttps://sculpturalthings.com/wp-content/uploads/2014/05/isa-genzken.jpgisa-genzkenhttps://sculpturalthings.com/wp-content/uploads/2014/05/img_2044.jpgIMG_2044https://sculpturalthings.com/wp-content/uploads/2014/05/img_2043.jpgIMG_2043https://sculpturalthings.com/wp-content/uploads/2014/05/img_2045.jpgIMG_2045https://sculpturalthings.com/wp-content/uploads/2014/05/img_2042.jpgIMG_2042https://sculpturalthings.com/wp-content/uploads/2014/05/img_2041.jpgIMG_2041https://sculpturalthings.com/wp-content/uploads/2014/05/img_2040.jpgIMG_2040Lampe (Lamp), 1996, epoxy resin, steel, light bulb (Detail).2014-05-07T04:38:42+00:00monthlyhttps://sculpturalthings.com/2014/01/29/food-as-sculpture/https://sculpturalthings.com/wp-content/uploads/2014/01/foodexperience.jpgDish prepared for Alinea Restaurant, Chicago by Grant Achatzhttps://sculpturalthings.com/wp-content/uploads/2014/01/riotfest1adj.jpgRiotfest1adjJim Victor and Marie Pelton, Butter Stamos (John Stamos), 2013, Created for RiotFest, Chicagohttps://sculpturalthings.com/wp-content/uploads/2014/01/multiples01.jpgmultiples01Dieter Roth, Banana, 1966 - 1991. Banana peel on broken pieces of glass on wooden base · 24 x 22 x 9.5 cm · edition of 5. Dieter Roth Foundationhttps://sculpturalthings.com/wp-content/uploads/2014/01/ex0014-001-a.jpgInstallation of work by Claes Oldenburg at the Green Gallery, New York, 1962https://sculpturalthings.com/wp-content/uploads/2014/01/pillsburysnackadium.jpgPillsburySnackadiumSnackadium example created by Pillsburyhttps://sculpturalthings.com/wp-content/uploads/2014/01/194-642.jpg194.642https://sculpturalthings.com/wp-content/uploads/2014/01/cur-35-1865.jpgRaphaelle Peale, Still Life with Peaches, 1821, oil on panel, 12 13/16 x 19 5/16 in. (32.5 x 49 cm), Brooklyn Museum of Arthttps://sculpturalthings.com/wp-content/uploads/2014/01/resize__575__575__5__col_images__2cd0fold86-65.jpgresize__575__575__5__col_images__2cd0fOLD86-65Claes Oldenburg, Sculpture in the Form of a Fried Egg, 1961, Canvas, dyed cotton, and expanded polystyrene, Diameter: 122 in., Museum of Contemporary Art, Chicagohttps://sculpturalthings.com/wp-content/uploads/2014/01/img_1874.jpgIMG_1874My Imperia past maker2014-02-18T15:11:41+00:00monthlyhttps://sculpturalthings.com/2013/12/04/the-contemporary-reflections-on-the-55th-venice-biennale/https://sculpturalthings.com/wp-content/uploads/2013/12/venice_b_42.jpgVenice_B_42https://sculpturalthings.com/wp-content/uploads/2013/12/venice_b_22.jpgVenice_B_22https://sculpturalthings.com/wp-content/uploads/2013/12/venice_b_03.jpgVenice_B_03https://sculpturalthings.com/wp-content/uploads/2013/12/img_1421.jpgIMG_1421https://sculpturalthings.com/wp-content/uploads/2013/12/img_14391.jpgIMG_1439https://sculpturalthings.com/wp-content/uploads/2013/12/img_1439.jpgIMG_1439https://sculpturalthings.com/wp-content/uploads/2013/12/img_1503.jpgIMG_1503https://sculpturalthings.com/wp-content/uploads/2013/12/img_1445.jpgIMG_1445https://sculpturalthings.com/wp-content/uploads/2013/12/img_1432.jpgIMG_1432https://sculpturalthings.com/wp-content/uploads/2013/12/img_1426.jpgIMG_14262014-01-29T14:21:49+00:00monthlyhttps://sculpturalthings.com/2013/10/31/an-indifferent-matter/https://sculpturalthings.com/wp-content/uploads/2013/10/installationshot2_0.jpginstallationshot2_0Installation view of Indifferent Matter, Collection of jade bi and cong, Courtesy of the Museum of East Asian Art, Bath and the Oriental Museum, Durham Photo: Jerry Hardman-Jones; Henry Moore Institutehttps://sculpturalthings.com/wp-content/uploads/2013/10/installationshot11_01.jpginstallationshot11_0Indifferent Matter installation view; Robert Smithson, Asphalt Lump, 1969, asphalt, Courtesy Private Collection, Belgium (background), Collection of various eoliths, Courtesy of Leeds Museums and Galleries Photo: Jerry Hardman-Jones, Courtesy of Henry Moore Institutehttps://sculpturalthings.com/wp-content/uploads/2013/10/installationshot8_01.jpginstallationshot8_0Installation view of Indifferent Matter; Steven Claydon, A Setting for Ambivalent Objects, 2013, Courtesy the artist and Sadie Coles HQ, London, and The British Museum; Andy Warhol, Silver Clouds, 1966, The Andy Warhol Museum in cooperation with The Andy Warhol Foundation for the Visual Arts, Inc. and Billy Klüver © The Andy Warhol Foundatio. Photo: Jerry Hardman-Jones, Courtesy of the Henry Moore Institutehttps://sculpturalthings.com/wp-content/uploads/2013/10/installationshot5_01.jpginstallationshot5_0Hans Haacke, Grass Cube, 1967, acrylic plastic, earth, fescue grass, water. Photo: Jerry Hardman-Jones, Courtesy of the Henry Moore Institutehttps://sculpturalthings.com/wp-content/uploads/2013/10/installationshot3_01.jpginstallationshot3_0Installation view of Indifferent Matter; Felix Gonzalez-Torres, Untitled (Placebo), 1991, candies, individually wrapped in silver cellophane (endless supply), The Museum of Modern Art, New York; Collection of jade bi and cong, the Museum of East Asian Art, Bath and the Oriental Museum, Durham (background). Photo: Jerry Hardman-Jones, Courtesy of the Henry Moore Institutehttps://sculpturalthings.com/wp-content/uploads/2013/10/1gonzaleztorres_11.jpg1gonzaleztorres_1Felix Gonzalez-Torres, Untitled (Placebo), 1991, candies, individually wrapped in silver cellophane (endless supply), Image courtesy The Museum of Modern Art, New York; Henry Moore Institute2013-12-05T03:22:25+00:00monthlyhttps://sculpturalthings.com/2013/10/15/sculpture-matters-recent-encounters-with-figuration-clay-and-maverick-makers/https://sculpturalthings.com/wp-content/uploads/2013/10/henry-mary-moore-230x332.jpgHenry-Mary-Moore-230x332Henry Moore with his daughter Mary Moore in his studio in 1949. Photograph: Gettyhttps://sculpturalthings.com/wp-content/uploads/2013/10/hauser_and_wirth_thomas_houseago_installation_view__i_ll_be_your_sister__7.jpgHauser_and_Wirth,_Thomas_Houseago,_Installation_View__I_ll_Be_Your_Sister_,_7Thomas Houseago, installation view of I'll Be Your Sister, at Hauser & Wirth, London, 2012https://sculpturalthings.com/wp-content/uploads/2013/10/drury-age-of-innocence.jpgdrury age of innocenceInstallation view, showing (left to right): Alfred Drury 'The Age of Innocence' c.1897-1900, Plaster; 1901, Marble; 1906, Bronze. Courtesy Bradford Museums, Leeds Museums and Galleries (Art Gallery), Harris Museum and Art Gallery. Photo: Jerry Hardman-Jones.https://sculpturalthings.com/wp-content/uploads/2013/10/fontana-working-with-clay.jpgLucio Fontana creating the Nature (Natures) in his Milan studio, 1960https://sculpturalthings.com/wp-content/uploads/2013/10/moore-woking-on-the-maquette-for-atom-piecem-1970.jpghttps://sculpturalthings.com/wp-content/uploads/2013/10/houseago_baby.jpghouseago_babyThomas Houseago, Baby, 2009-2010, Tuf-Cal, hemp, iron rebar, wood, graphite, charcoal, 104 x 92 x 64 in / 264.2 x 233.7 x 162.6 cm, Photo: Fredrik Nilsen, courtesy of Hauser & Wirth2013-10-31T14:52:40+00:00monthlyhttps://sculpturalthings.com/2013/09/25/if-you-like-art-yall-really-should-get-yourself-to-dallas/https://sculpturalthings.com/wp-content/uploads/2013/09/img_1025.jpgIMG_1025Joan Miró's Goddess, installed at the Nasher Sculpture Center. Photo by author.https://sculpturalthings.com/wp-content/uploads/2013/09/img_1048.jpgKlyde Warren Park, Dallashttps://sculpturalthings.com/wp-content/uploads/2013/09/img_1047.jpgIMG_1047Museum Tower, with its detrimental glare, Dallas. Photo by the author.https://sculpturalthings.com/wp-content/uploads/2013/09/img_1051.jpgReturn to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, and Picasso, 1943-1963 at Nasher Sculpture Center, Dallashttps://sculpturalthings.com/wp-content/uploads/2013/09/img_1052.jpgRichard Serra's My Curves Are Not Mad (1987), currently installed in the garden of the Nasher Sculpture Center, Dallashttps://sculpturalthings.com/wp-content/uploads/2013/09/img_1050.jpgIMG_1050https://sculpturalthings.com/wp-content/uploads/2013/09/img_1049.jpgIMG_1049https://sculpturalthings.com/wp-content/uploads/2013/09/perot-museum-ma-1028-we_636.jpgPerot-Museum-MA-1028-we_636https://sculpturalthings.com/wp-content/uploads/2013/09/perot-museum-of-nature-and-science-by-morphosis01.jpgPerot Museum of Nature and Science by Morphosis, Dallas.2013-10-15T14:32:23+00:00monthlyhttps://sculpturalthings.com/2013/09/09/sculpture-and-designed-things-part-iii-art-is-useless/https://sculpturalthings.com/wp-content/uploads/2013/09/judd-in-marfa.jpgJudd-in-MarfaDonald Judd, 100 untitled works in mill aluminum, 1982-1986, aluminum, 41 x 51 x 72 inches each, Chinati Foundation, Marfa, TX, Photo by OneEighteen via Flickrhttps://sculpturalthings.com/wp-content/uploads/2013/09/cri_151387.jpgTom Wesselmann, Still Life #30, 1963, Oil, enamel and synthetic polymer paint on composition board with collage of printed advertisements, plastic flowers, refrigerator door, plastic replicas of 7-Up bottles, glazed and framed color reproduction, and stamped metal. Museum of Modern Art, New Yorkhttps://sculpturalthings.com/wp-content/uploads/2013/09/20130426105634table_with_pink_tablecloth_by_richard_artschwager_1964.jpgRichard Artschwager, Table with Pink Tablecloth, 1964, Formica on Wood, Art Institute of Chicagohttps://sculpturalthings.com/wp-content/uploads/2013/09/burton-seat-leg-table.jpgScott Burton, Seat-Leg Table, 1986/1991, sandstone, overall 28.5 × 56 × 56 inches, Walker Art Center, Minneapolishttps://sculpturalthings.com/wp-content/uploads/2013/09/scott-burton.jpgscott burtonhttps://sculpturalthings.com/wp-content/uploads/2013/08/judd-dining-table.jpgSecond floor of the restored SoHo home and studio of Donald Judd. Dining table designed by Judd. Photographer: Joshua White/Judd Foundation via Bloomberghttps://sculpturalthings.com/wp-content/uploads/2013/08/donald-judd-827-05.jpgDonald Judd, Chair, 1982. Courtesy of Phaidon.comhttps://sculpturalthings.com/wp-content/uploads/2013/08/023_judd_pdm.jpgDonald Judd, Wintergarden Bench, 1980, Fabricated by Cooper/Kato, New York Courtesy Judd Foundation Photo: Stuart Whipps, Donald Judd Furniture™ ©Judd Foundation2013-09-17T18:05:31+00:00monthlyhttps://sculpturalthings.com/2013/08/20/why-everyone-should-care-about-the-dia/https://sculpturalthings.com/wp-content/uploads/2013/08/hesse-accession-ii.jpgEva Hesse, Accession II, 1968, galvanized steel and vinyl, 30 3/4 x 30 3/4 x 30 3/4 in. 78.1 x 78.1 x 78.1 cm, Detroit Institute of Artshttps://sculpturalthings.com/wp-content/uploads/2013/08/71-7.jpgClaes Oldenburg, Giant Three-Way Plug, Mahogony veneer over wood, 58 1/2 x 38 3/4 x 29 1/2 in 148.5 x 98.5 x 75 cm, Detroit Institute of Artshttps://sculpturalthings.com/wp-content/uploads/2013/08/33-10-e-s91.jpg33-10-e-s91https://sculpturalthings.com/wp-content/uploads/2013/08/detroit_institute_of_arts_-_rivera_court_detail.jpgDetroit_Institute_of_Arts_-_Rivera_Court_detail2013-09-05T14:57:09+00:00monthlyhttps://sculpturalthings.com/2013/08/29/sculpture-and-designed-things-part-ii-artschwager-and-formica/https://sculpturalthings.com/wp-content/uploads/2013/08/img_0945.jpgDetail of Richard Artschwager, Table with Pink Tablecloth, 1964, Formica on wood 64.8 x 111.8 x 111.8 cm, Art Institute of Chicago. Photo by author.https://sculpturalthings.com/wp-content/uploads/2013/08/artschwager.jpgRichard Artschwager, Mirror/Mirror—Table/Table, 1964, Mirrors: 37 x 25 x 5 in. each; tables: 24 x 25 x 30 in. each The Museum of Contemporary Art, Los Angeleshttps://sculpturalthings.com/wp-content/uploads/2013/08/7716673778_33fc89d7cd_b.jpgFormica Advertisement, 1955, published in Ideal Home. http://www.flickr.com/groups/midcenturyinprint/2013-09-05T14:55:51+00:00monthlyhttps://sculpturalthings.com/2013/08/14/sculpture-and-designed-things-part-i-andre-artschwager-and-everything-but-the-kitchen-sink/https://sculpturalthings.com/wp-content/uploads/2013/08/img_0908.jpgIMG_0908Richard Artschwager, Table with Pink Tablecloth, 1964, Formica on wood, Art Institute of Chicagohttps://sculpturalthings.com/wp-content/uploads/2013/08/img_0905.jpgIMG_0905https://sculpturalthings.com/wp-content/uploads/2013/08/artschwager_blp.jpgArtschwager_blphttps://sculpturalthings.com/wp-content/uploads/2013/08/img_0906.jpgInstallation of Gallery 297b at the Art Institute of Chicago with works by Richard Artschwager, Carl Andre, Agnes Martin, and Frank Stella in view. Photo by the author, August 20132013-08-20T03:16:40+00:00monthlyhttps://sculpturalthings.com/2013/07/30/photography-as-public-sculpture-amanda-ross-ho-at-mca-chicago/https://sculpturalthings.com/wp-content/uploads/2013/07/resize__575__575__5__exhib_images__full_1365803465brookslightingset.jpgSource material for Amanda Ross-Ho’s 2013 Plaza Project at the MCA Chicago: THE CHARACTER AND SHAPE OF ILLUMINATED THINGS Courtesy and copyright David Brookshttps://sculpturalthings.com/wp-content/uploads/2013/07/img_0855.jpgIMG_0855https://sculpturalthings.com/wp-content/uploads/2013/07/img_0856.jpgIMG_0856https://sculpturalthings.com/wp-content/uploads/2013/07/img_0854.jpgIMG_0854https://sculpturalthings.com/wp-content/uploads/2013/07/img_0853.jpgIMG_0853https://sculpturalthings.com/wp-content/uploads/2013/07/img_0852.jpgIMG_0852https://sculpturalthings.com/wp-content/uploads/2013/07/img_0850.jpgIMG_0850https://sculpturalthings.com/wp-content/uploads/2013/07/img_0849.jpgIMG_0849https://sculpturalthings.com/wp-content/uploads/2013/07/img_0857.jpgIMG_0857https://sculpturalthings.com/wp-content/uploads/2013/07/img_0847.jpgIMG_08472013-08-14T19:54:42+00:00monthlyhttps://sculpturalthings.com/2013/07/17/sottsass-olivetti-and-the-continuing-lure-of-the-typewriter/https://sculpturalthings.com/wp-content/uploads/2013/07/d5273848l.jpgCormac McCarthy's Olivetti Lettura 32, auctioned at Christies in 2009https://sculpturalthings.com/wp-content/uploads/2013/07/img_0841.jpgEttore Sottsass (Manufactured by Olivetti), Olivetti Studio 45 Typewriter, c. early 1970s, ABS plastic and other materials, Art Institute of Chicagohttps://sculpturalthings.com/wp-content/uploads/2013/07/twiggyad.jpgTwiggyadhttps://sculpturalthings.com/wp-content/uploads/2013/07/olivetti-typewriter.jpgolivetti-typewriterhttps://sculpturalthings.com/wp-content/uploads/2013/07/md_loisg_jnamath_640.jpgMD_LoisG_JNamath_640https://sculpturalthings.com/wp-content/uploads/2013/07/il_fullxfull-320256467.jpghttps://sculpturalthings.com/wp-content/uploads/2013/07/cropped-typewriter1.jpgcropped-typewriter1https://sculpturalthings.com/wp-content/uploads/2013/07/4260074284_f9c63077f5.jpg4260074284_f9c63077f5https://sculpturalthings.com/wp-content/uploads/2013/07/674.jpg674https://sculpturalthings.com/wp-content/uploads/2013/07/670.jpg6702013-08-28T01:03:10+00:00monthlyhttps://sculpturalthings.com/2013/07/11/inhabiting-a-woodsy-reflection-on-the-relationship-between-sculpture-and-architecture/https://sculpturalthings.com/wp-content/uploads/2013/07/htkb_dsc_1076w1.jpghtkb_dsc_1076whttps://sculpturalthings.com/wp-content/uploads/2013/07/img_6420.jpgIMG_6420https://sculpturalthings.com/wp-content/uploads/2013/07/img_0890.jpgimg_0890https://sculpturalthings.com/wp-content/uploads/2013/07/htkb_dsc_1076w.jpghtkb_dsc_1076whttps://sculpturalthings.com/wp-content/uploads/2013/07/img_0837.jpgIMG_0837https://sculpturalthings.com/wp-content/uploads/2013/07/img_0835.jpgBack Camerahttps://sculpturalthings.com/wp-content/uploads/2013/07/img_1236.jpgIMG_1236https://sculpturalthings.com/wp-content/uploads/2013/07/img_0825.jpgIMG_08252013-07-16T19:55:16+00:00monthlyhttps://sculpturalthings.com/2013/06/20/the-summer-of-turrell/https://sculpturalthings.com/wp-content/uploads/2013/06/screening_room_interior_a_l.jpgJames Turrell, PIcture Plane, Collection of Pamela and Jarl Mohnhttps://sculpturalthings.com/wp-content/uploads/2013/06/turrel2-600x340.jpgTurrel2-600x340James Turrell, Breathing Light, 2013, LED light into space, Los Angeles County Museum of Art. Photo © Florian Holzherrhttps://sculpturalthings.com/wp-content/uploads/2013/06/800px-james_turrell-zuoz-056.jpgJames Turrell, "Skyspace, Piz Uter", (inside) - 2005, - Switzerland, Graubuenden, Zuoz, near to Hotel Castell Photo: WikiCommonshttps://sculpturalthings.com/wp-content/uploads/2013/06/turrell5.pngJames Turrell: A Retrospective at LACMAhttps://sculpturalthings.com/wp-content/uploads/2013/06/vuitton-terrell04.jpgPromotional Photograph of James Turrell for Louis Vuittonhttps://sculpturalthings.com/wp-content/uploads/2013/06/museumtower-main.jpgView from inside Turrell's Tending: Blue at the Nasher Sculpture Center before its closurehttps://sculpturalthings.com/wp-content/uploads/2013/06/la-ar-james-turrell-installation-opens-at-loui-001.jpeghttps://sculpturalthings.com/wp-content/uploads/2013/06/16_james-turrell.jpgJame Turrell, Aten Reign, 2013, Guggenheim, New York2013-06-27T15:02:01+00:00monthlyhttps://sculpturalthings.com/2013/06/06/that-richard-serra-in-grant-park/https://sculpturalthings.com/wp-content/uploads/2013/06/img_0691.jpgIMG_0691https://sculpturalthings.com/wp-content/uploads/2013/06/img_0689.jpgIMG_0689https://sculpturalthings.com/wp-content/uploads/2013/06/img_0687.jpgIMG_0687https://sculpturalthings.com/wp-content/uploads/2013/06/img_0688.jpgIMG_0688https://sculpturalthings.com/wp-content/uploads/2013/06/img_0685.jpgIMG_0685https://sculpturalthings.com/wp-content/uploads/2013/06/img_0690.jpgIMG_0690https://sculpturalthings.com/wp-content/uploads/2013/06/img_0684.jpgIMG_0684https://sculpturalthings.com/wp-content/uploads/2013/06/img_0696.jpgIMG_0696https://sculpturalthings.com/wp-content/uploads/2013/06/img_0693.jpgIMG_0693Richard Serra, Reading Cones, 1988, Cor-Ten Steel, City of Chicago. Photo taken by author, 20132013-06-20T17:42:35+00:00monthlyhttps://sculpturalthings.com/2013/05/31/garth-evans/https://sculpturalthings.com/wp-content/uploads/2013/05/t07942_10.jpgUntitled No.3 1975 by Garth Evans born 1934Untitled No.3 1975 Garth Evans born 1934 Presented by the artist in memory of his father, Cyril Evans 2003. Tate, London.https://sculpturalthings.com/wp-content/uploads/2013/05/cq5dam-thumbnail-634-1280.pngGarth Evans, Untitled No. 1, 1974. © Arts Council Collection, Southbank Centre, London. Gift of the artisthttps://sculpturalthings.com/wp-content/uploads/2013/05/breakdown.jpgbreakdownGarth Evans, Breakdown, 1971/2013, steelhttps://sculpturalthings.com/wp-content/uploads/2013/05/york-2.jpgyork-2https://sculpturalthings.com/wp-content/uploads/2013/05/untitled-no-4-1975-rubber-12-x-120-x-120_.jpgUntitled No. 4, 1975, rubber, 12 x 120 x 120"https://sculpturalthings.com/wp-content/uploads/2013/05/wedge-no-2-1979-wood-44-x-55-x-9_.jpgWedge No. 2, 1979, wood, 44 x 55 x 9"https://sculpturalthings.com/wp-content/uploads/2013/05/acc21_2007-evans1021.jpgGarth EvansGarth Evans, Untitled No. 1 (1974), plywood. Courtesy Arts Council Collection, Southbank Centre, London. Gift of the artist 2013-06-06T14:00:56+00:00monthlyhttps://sculpturalthings.com/2013/05/02/a-box-is-a-thing-around-a-thing-it-is-not/https://sculpturalthings.com/wp-content/uploads/2013/05/wi23.jpgAndy Warhol, Brillo Box, 1964, silkscreen and ink on wood, 17 x 17 x 14 incheshttps://sculpturalthings.com/wp-content/uploads/2013/05/41608_496316.jpgJoseph Cornell, Pavilion, 1953, box construction, 18 7/8 x 11 7/8 x 6 1/2 in. Art Institute of Chicagohttps://sculpturalthings.com/wp-content/uploads/2013/05/32313tilda2.jpg32313tilda2Tilda Swinton, The Maybe, 1995/2013. Performed at Museum of Modern Art, New York.https://sculpturalthings.com/wp-content/uploads/2013/05/installation-view-nonsite-oberhausen-germany-1968.jpgInstallation-view-Nonsite-Oberhausen-Germany-1968Robert Smithson, Nonsite-Oberhausen-Germany,1968https://sculpturalthings.com/wp-content/uploads/2013/05/cabinet_of_curiosities_1690s_domenico_remps.jpgCabinet_of_Curiosities_1690s_Domenico_RempsDomenico Remps, A Cabinet of Curiosity, 1690s, Oil on canvas, 99 x 137 cm. Museo dell'Opificio delle Pietre Dure, Florencehttps://sculpturalthings.com/wp-content/uploads/2013/05/clear-fedex-2.jpgWalead Beshty, Fedex® Large Kraft Box ©2005 FEDEX 330508, International Priority, Los Angeles-Tijuana trk# 865282058022 October 28-November 3, 2008, International Priority, Tijuana-Los Angeles trk# 867279774892 January 2-6, 2009, 2008-, laminated safety glass, silicone, metal, FedEx shipping box, packing tape, and accrued FedEx tracking labels, 20 x 20 x 20 inchesWalead Beshty, Fedex® Large Kraft Box ..., 2008-, laminated safety glass, silicone, metal, FedEx shipping box, packing tape, and accrued FedEx tracking labels, 20 x 20 x 20 incheshttps://sculpturalthings.com/wp-content/uploads/2013/05/jcni_18.jpgJoseph Cornell, Trade Winds #2, c. 1958 Box construction 11 x 16 7/8 x 4 1/16 inches. The Robert Lehrman Art Trust, Washington, DChttps://sculpturalthings.com/wp-content/uploads/2013/05/34-evahesse-accessionii-19671316541046804.jpgEva Hesse, Accession II, 1967, galvanized steel and rubber tubing, 30 3/4 x 30 3/4 x 30 3/4 in. Detroit Institute of Arts.https://sculpturalthings.com/wp-content/uploads/2013/05/filliou_creation_8155_01_0_0.jpgRobert Filliou, Création permanente, 1969, three wooden boxes on a wooden board, framed. Museum Abteiberg Mönchengladbach2013-05-31T13:36:10+00:00monthlyhttps://sculpturalthings.com/2013/05/22/the-bay-lights/https://sculpturalthings.com/wp-content/uploads/2013/05/img_1211.jpgIMG_1211Leo Villareal, The Bay Lights, 2013. (Photograph by author)https://sculpturalthings.com/wp-content/uploads/2013/05/burningman.jpgBurning Man, 2010Michael Holden, Burning Man, 2010. (Image source: http://www.flickr.com/photos/michaelholden/6041248253/)https://sculpturalthings.com/wp-content/uploads/2013/05/img_0314.jpgIMG_0314Leo Villareal, Multiverse, 2008. National Gallery of Art, Washington D.C. (Photograph by author)https://sculpturalthings.com/wp-content/uploads/2013/05/bridgefailure.jpgBridgeFailureCollapsed eastern span of the Bay Bridge, 1989. (Image sources: http://baybridgeinfo.org/timeline)https://sculpturalthings.com/wp-content/uploads/2013/05/img_0735.jpgFalafel Drive-InNeon Signage, San José, California (Photograph by author)https://sculpturalthings.com/wp-content/uploads/2013/05/911_tribute_perspective_fixed.jpgTribute in LightTribute in Light, World Trade Center, New York, 2011 (Image source: Wikimedia Commons)https://sculpturalthings.com/wp-content/uploads/2013/05/whitecity.jpgWhite CityWhite City, World's Columbian Exhibition, Chicago, 1893 (Image source: Flickr)2013-06-12T22:24:19+00:00monthlyhttps://sculpturalthings.com/2013/05/13/thinking-about-things-mark-leckeys-the-universal-addressability-of-dumb-things/https://sculpturalthings.com/wp-content/uploads/2013/05/machines-nottingham-contemp.jpgMachines-Nottingham-ContempMark Leckey, The Universal Addressability of Dumb Things, installation view (detail), Nottingham Contemporary, 2013. Photo Andy Keatehttps://sculpturalthings.com/wp-content/uploads/2013/05/felix.jpgFelixMark Leckey, The Universal Addressability of Dumb Things, installation view (detail), Nottingham Contemporary, 2013. Photo Andy Keatehttps://sculpturalthings.com/wp-content/uploads/2013/05/machines-gallery-2.jpgMark Leckey, The Universal Addressability of Dumb Things, installation view (detail), Nottingham Contemporary, 2013. Photo Andy Keatehttps://sculpturalthings.com/wp-content/uploads/2013/05/58984_463913557015845_1463128779_n.jpgMark Leckey, The Universal Addressability of Dumb Things, installation view (detail) the Bluecoat, 2013https://sculpturalthings.com/wp-content/uploads/2013/05/publicity-picture.jpgSoviet Dog Suit, c. 1950https://sculpturalthings.com/wp-content/uploads/2013/05/8684652708_b9df1f8255_c.jpg8684652708_b9df1f8255_cFelix inflatable at Nottingham Contemporary - The Universal Addressability of Dumb Things curated by Mark Leckey. Photo taken from Flickr courtesy of Paul Fillinghamhttps://sculpturalthings.com/wp-content/uploads/2013/05/blog-3-550x275.jpgInstallation View. The Universal Addressability of Dumb Things, curated by Mark Leckey at the Bluecoat, Liverpool 16 Feb – 14 Apr 2013. https://sculpturalthings.com/wp-content/uploads/2013/05/logo.jpgDavid Musgrave, Animal (1997) [left]; Elad Lassry, Devon Rex. 2011 [right].2013-05-31T13:33:48+00:00monthlyhttps://sculpturalthings.com/2013/04/24/empty-plinths-and-changing-landscapes-yorkshire-sculpture-park/https://sculpturalthings.com/wp-content/uploads/2013/04/img_0614.jpghttps://sculpturalthings.com/wp-content/uploads/2013/04/img_0613.jpghttps://sculpturalthings.com/wp-content/uploads/2013/04/img_0610.jpgHenry Moore, Reclining Figure: Arch Leg, 1969-70https://sculpturalthings.com/wp-content/uploads/2013/04/1583626_1185.jpgSt Bartholomew’s Chapel, 1744. Photo courtesy of visitleeds.co.ukhttps://sculpturalthings.com/wp-content/uploads/2013/04/img_0612.jpgIMG_0612Yinka Shonibare, Wind Sculpture, 2013. Installed at the Yorkshire Sculpture Parkhttps://sculpturalthings.com/wp-content/uploads/2013/04/6880493695_05f9921e54_b.jpg"Fourth Plinth" in Trafalgar Square, London. Photo by the Greater London Authority2013-04-24T10:59:55+00:00monthlyhttps://sculpturalthings.com/2013/04/18/making-sculpture-with-elmo-and-louise-nevelson/2013-04-18T13:01:37+00:00monthlyhttps://sculpturalthings.com/2013/03/15/objects-things-sculpture/https://sculpturalthings.com/wp-content/uploads/2013/03/020f7d68.jpg2 Piece Sort (In 2 parts)Carl Andre, 2 Piece Sort, 1972, bent steel reinforcing rod, in two parts, overall: 3½ x 19 x 28in. (8.4 x 48.3 x 71.1cm.)https://sculpturalthings.com/wp-content/uploads/2013/03/img_0163.jpgBook Project2013-04-14T19:33:49+00:00monthlyhttps://sculpturalthings.com/2013/03/29/site-without-specificity-picasso-and-chicago/https://sculpturalthings.com/wp-content/uploads/2013/03/img_04921.jpgIMG_0492https://sculpturalthings.com/wp-content/uploads/2013/03/img_0501.jpgIMG_0501https://sculpturalthings.com/wp-content/uploads/2013/03/daley-plaza.jpgdaley-plazaStill from Blues Brothers (1980)https://sculpturalthings.com/wp-content/uploads/2013/03/img_0492.jpgIMG_0492https://sculpturalthings.com/wp-content/uploads/2013/03/img_0491.jpgIMG_0491Installation view of last gallery of Picasso and Chicago, showing sketches from early 1960s of what would become the Chicago commission.https://sculpturalthings.com/wp-content/uploads/2013/03/img_0500.jpgIMG_0500Pablo Picasso, Untitled ("The Picasso"), dedicated 1967, Core ten steel, 50 ft. high, Daley Plaza, Chicago2013-04-14T19:28:19+00:00monthlyhttps://sculpturalthings.com/2013/04/05/destroy-the-picture-create-the-object/https://sculpturalthings.com/wp-content/uploads/2013/04/img_0576.jpgIMG_0576https://sculpturalthings.com/wp-content/uploads/2013/04/img_0582.jpgIMG_0582https://sculpturalthings.com/wp-content/uploads/2013/04/img_0554.jpgIMG_0554Manolo Millares, Compositio 9 (Composition 9), 1957, whiting and lampblack on burlap and stringhttps://sculpturalthings.com/wp-content/uploads/2013/04/img_0587.jpgIMG_0587Alberto Burri, Combustione plastica (Plastic Combustion), 1958, Plastic, acrylic, burns on canvas. Museum of Contemporary Art, Los Angeleshttps://sculpturalthings.com/wp-content/uploads/2013/04/img_0589.jpgIMG_0589https://sculpturalthings.com/wp-content/uploads/2013/04/img_0591.jpgIMG_0591https://sculpturalthings.com/wp-content/uploads/2013/04/img_0590.jpgIMG_0590https://sculpturalthings.com/wp-content/uploads/2013/04/img_0593.jpgIMG_0593https://sculpturalthings.com/wp-content/uploads/2013/04/img_0597.jpgIMG_0597https://sculpturalthings.com/wp-content/uploads/2013/04/img_0596.jpgIMG_0596Shozo Shimamoto, Mudai (Untitled), 1950, paint on layered newspaper. 2013-08-20T19:34:23+00:00monthlyhttps://sculpturalthings.com/2013/03/20/the-absence-of-monuments/https://sculpturalthings.com/wp-content/uploads/2013/03/1910635_blog_main_horizontal.jpg1910635_blog_main_horizontalRemoval of statue of Saddam Hussein in al-Firdos Square on 9 April 2003. Photo by Mirrorpix/Getty Imageshttps://sculpturalthings.com/wp-content/uploads/2013/03/kadom-al-jabouri-attacks-009.jpgKadom al-Jabouri attacks Saddam Hussein's statue 2003Kadom al-Jabouri swings a hammer at the base of the statue of Saddam Hussein in Baghdad in April 2003. Photograph: Jerome Delay/APhttps://sculpturalthings.com/wp-content/uploads/2013/03/1346840656617902500.jpg1346840656617902500The artist Abbas Gharib showing his model of the new public monument in Firdos Square. Photo courtesy of Agence France-Pressehttps://sculpturalthings.com/wp-content/uploads/2013/03/4985517826_8929c22f3c_b.jpg4985517826_8929c22f3c_bhttps://sculpturalthings.com/wp-content/uploads/2013/03/baghdad-fall-saddam-statue.jpgBaghdad-Fall-Saddam-Statue2013-04-14T19:07:49+00:00monthlyhttps://sculpturalthings.com/2013/03/16/tony-smith-public-art-wiki-project/https://sculpturalthings.com/wp-content/uploads/2013/03/wandering_rocks1967.jpgWandering_Rocks1967Tony Smith, Wandering Rocks (2/5), 1967, painted steel. Lynden Sculpture Garden, Milwaukee, WI. Uploaded to Wikipedia on15 November 2012 by Gabrielle DuCharme2013-03-16T15:01:06+00:00monthlyhttps://sculpturalthings.comdaily1.02025-09-05T16:18:54+00:00