The 2017 Whitney Biennial closes in just over two weeks. Since its opening in March, the exhibition has been widely heralded for its “political charge” (see for example reviews by Peter Schjeldahl in The New Yorker and Jerry Saltz in New York Magazine), for its impressive diversity of artists included (though I wish this still was not so rare as to be newsworthy), and the … Continue reading Image not Object: the 2017 Whitney Biennial
I am quite thrilled to say that I am now on research leave, which will last through the 2017-18 academic year. This means that I will not only finally have some time for new Sculptural Things blog posts, but also for two new and substantial projects, both focused on the amazing and all-too-undervalued American postwar artist/ sculptor/ designer Harry Bertoia (1915-1978). Bertoia has occupied a lot … Continue reading Bertoia! Bertoia! Bertoia!